Saturday, January 6, 2018

സൂര്യൻ വെളിച്ചം തേടി കറങ്ങിനടക്കുന്നുവെന്ന്
ഭൂമിയുടെ ഇരുണ്ട ഭാഗത്തിരുന്ന് ഒരു കവി കളിയാക്കി

അടച്ച പുസ്തകത്താളുകളിൽ
മരിച്ചുപോയ അക്ഷരങ്ങൾ ആരുടെയൊ വായനയിൽ പുനർജ്ജനിക്കാൻ കാത്തിരിന്നു

അറിവ്‌ ഗുരുവിനെതേടി വന്നപ്പോൾ ദ്വാരപാലകൻ തടഞ്ഞത്‌ ഗുരു ശിഷ്യരെ തേടി വിദേശത്തായത്കൊണ്ട്‌

പ്രണയം ഹൃദയം തേടി മുട്ടിയ
വാതിൽ തുറന്നുവന്ന മരണവുമൊത്ത്‌കാശിക്കുപോയി

കവിത തൂലികയന്ന്വേഷിച്ചെത്തിയപ്പോൾ കവി ലഹരിയുമൊത്ത്‌ തുഞ്ചൻ പറമ്പിൽ പോയി

Thursday, September 28, 2017

പ്രഭാത പ്രാന്ത്‌

പ്രഭാത പ്രാന്ത്‌

ആകാശത്തിന്റെ പ്രണയത്തുള്ളികൾ
കെട്ടിടങ്ങളുടെ മട്ടുപ്പാവ്വിൽ
ആർത്തലച്ചൊടുങ്ങി

തലയിണക്കടിയിൽ വച്ച മിടുക്കൻ
സമയം ചിലച്ചു

സുപ്രഭാതം, രോഗവികിരണങ്ങളിലേറി
ഗതികിട്ടാതെ 
അങ്ങോട്ടും ഇങ്ങോട്ടും പാഞ്ഞു

ഞെട്ടിയെഴുന്നേറ്റ മനുഷ്യൻ
അത്യാധുനിക മുറികളിലിരുന്ന്
ഓടകൾ മലിനമാക്കി


Sunday, April 9, 2017

The Solitude of Thachanakkara

A story told by THACHANAKKARA through Subhash Chandran and the solitude of Marcquez for hundred years found adobe in my head recently. But that is not exactly true. When the chapters of the novel "MANUSHYANU ORU AAMUKHAM" (A Preface to Human Being) was appearing in MATHRUBHUMI weekly, if I remember correctly in 2009, I could read few of it. That novel haunted me for a while because of its beautiful narration and an unknown reader of MATHRUBHUMI. When the novel completed its journey in the weekly, one of the reader wrote his opinion about the novel. He gave a blast to my conventional thinking by stating that NARAPPILLA, whom I considered as villain till then was the actual hero of the story with mind-blowing reasoning. At that time itself I was eager to own the novel in book form and read it completely.

Few years back, I also happen read the beginning of "One Hundred Years of Solitude" and wanted to know MACONDO in its length and breadth. Recently I purchased the book and started reading the amazing characterization of the people walked over MACONDO. The reading was slow, few pages per week, as it was English translation. Meanwhile I visited Kerala and found the Malayalam novel "MANUSHYANU ORU AAMUKHAM" in a shop and purchased it. Then I started reading those two books alternately and the characters started to appear out of there big and complicated family trees. Some branches from one novel broke out and got attached to another novel!

It is interesting to see that both THACHANAKKARA and MACONDO are imaginary places. Both authors are using time in excellent ease and clarity to narrate the incidents to give you a feeling of space-time continuum. But the vibes created in your brain by these two novels can be compared to the distance between Kerala and Colombia. Maybe the familiarity of the characters and lifestyle, for me, THACHANAKKARA was more real than MACONDO. Moreover, some of the places like MARTHANDAVARMA bridge on which Govindan and Achudan, everyday walked as school children, ALUVA river, and ULIYANNUR can be found in Google-Maps. But THACHANAKKARA was not only unreachable for the great carpenter, PERUNTHACHAN, but also Google-Maps. The precise explanation of locations and roads on which the eternal souls of the novel walked in the body form, made me almost believe that somehow Geography, History and Google-maps missed THACHANAKKARA. 

Tuesday, September 15, 2015

Life of Gods

In my school days, I remember reading the portions of KM Munshis's novel, Krishnavatara translated in Malayalam (in Mathrubhumi weekly). [https://en.wikipedia.org/wiki/Kanaiyalal_Maneklal_Munshi].  It influenced me to start believing in the capability of ordinary human beings to change the world. It also showed that how Gods are born when we fail to comprehend great personalities. 
I think "Shiva Trilogy" is another attempt in that direction. We can see many books are released nowadays with similar theme. But the authenticity of history they are developing need to take with a pinch of salt. I liked the definition of "Har Har Mahadev"; Everyone is Mahadev.
Now, I read "Scion of Ikshvaku" which is trying to portrait Rama as a human being. Again, no one is sure about the facts but It is a good read because it can ignite some thoughts. Some time back I posted a blog on the question by my son "why Seetha has not accompanied Lakshmana when searching for Rama at the forest" Ramayana and Anthropic Principle. It is interesting to realize that we never thought the abnormality of a princess childishly asking her husband to catch a deer in the dangerous forest. What about the princess of Kekaya getting influenced by a maid to make such a decision? I don't know right or wrong, but this book will at least provoke you with some questions.   

Saturday, January 31, 2015

Ramayana and Anthropic Principle

It was sleep time and I was trying to make my son sleep by telling Ramayana story. The story reached Dandakaranya forest. Seetha saw the golden deer and she sent Rama to bring it to her. Finally Rama realized it was not deer but Mareecha and sent his arrow to kill Mareecha. Then Mareecha started crying in Rama's voice to misguide Lakshmana and Seetha. By listening Rama's voice Seetha got worried and argued with Lakshmana and convinced him to go for helping Rama. Lakshmana drew the famous Lakshmana-rekha and went to help Rama leaving Seetha alone...

At this point, my Son stopped me and asked. "Father, why Seetha didn't go along-with Lakshmana to help her Husband?"

I managed by telling something. But actually what is the reason? May be there were many Seethas who went along-with Lakshmana. But none of them are known to us. Only when Seetha decided to stay alone, the story became Ramayana.


Tuesday, January 28, 2014

My Story

I have a story to tell,
who is there to listen?
I am just a black obstacle
between you and sky
This blackness is not a protest,
it is because i gave you all my greenness




Face







every face we see,
there exist a life we don't see